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Life is like photography; we develop from the negatives…

perhaps we can not see the big picture due to over exposure from a certain experience or obstacle.

When we share the photos of our inner thoughts with the world, are they negatives or full color potentials and possibilities?

Developing a photograph begins in a dark room. A negative is taken and a process transforms the image into a colorful and recognizable photo. So, is life, in that a process must take a timely course in order to develop a positive situation. Take school or college for example; the many hours of study, enduring the class lectures and hurdling the tests lead to a rewarding finish.

Love, the process that goes from seeing each other for the first time, the first words between two souls and the days that bring them closer and closer. The first kiss, first date and the days turned into years that essentially developed into a lasting relationship. (perhaps even wedding photos)

I was preparing for this years summer vacation and came across two rolls of film that we had taken on our vacation two years ago. We never had them developed. But, the memories are alive and well. I can close my eyes and recall that vacation when we went to Padre Island and played in the surf, fed the hermit crab that had made a home under the picnic table we sat at during the day. The doves that had made a nest in a palm tree nearby and the sea gull that had flown by several times and relieved himself in flight as a bombardier would release its bombs. I still have the sand dollars we had found that summer as memorabilia.

I remember summer vacations as a child. We went to my Aunt and Uncles who owned a resort on the coast. I had my first job washing dishes in their diner making a wop ping .75 cents an hour in the early 70’s. I bought my first camera (a Polaroid) and took a lot of pictures that I still have. When I see the snap shot that takes a millisecond image, I recall a full event in a mental video that unfolds the days of that time.

Life is like an album of memories. A photograph simply reminds us of a time in our life. A picture paints a thousand words … to say the least, if memories are attached.

There is a café in town (now, allow me to remind you that our town has about 400 citizens and at least that many dogs and cats) the photos on the wall at this café are of the olden days. When the town was thriving from timber and steam boats that use to frequent the river but no longer do due to the damns and regulations that have been developed since it is ecologically unsound. The people in the pictures are no longer alive. The general store is now a cabinet shop and the mill no longer exists. Snap shots of what once was becomes memorabilia of a time long ago.

When I was driving to town this morning I saw the sun rise. I can’t recall every sunrise I have ever seen but the one this morning reminds me of so many I have been fortunate enough to have embraced. When I lived in California, (being from Texas) I was amazed every day at the beauty of the distant mountains. I would make a comment about how beautiful the mountains are and the people I worked with (who grew up there) simply would reply… “There just mountains.” They had grown up seeing them every day so to them it was no big deal, but for me they were majestic. The same is with the story of the man with the bag (a bag of happiness) you don’t really appreciate what you have till it is gone.

I don’t dig up pictures of those mountains but when I see a sun rise like the one that adorned the sky this morning, I recall the sun coming over the mountains when I lived in Arvin, California. It reminds me of the song… ‘Till I gain control again’

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(one of my all time favorite songs)

“Till I gain control again”

Just like the sun over the mountain top you know I’ll always come again
You know I love to spend my morning time like sunlight dancing on your skin…..

link to a youtube version of this song with mountain pictures (beautiful)

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In the story of  ‘Balls of clay’  ‘ we are inspired to take the time to open others up and find a gem in them. Each of us are an album of memories. Each of us have stories to tell that no one else has. We are all as unique as a photograph waiting to tell a story of a time long ago. Life is an album of memories.

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Life is like riding a bicycle. To keep your balance you must keep moving” Albert Einstein.

~today is a day for making memories~ picture it!!!

(~_~)

When a novice starts learning martial arts, he wears a white belt, symbolic of innocence. After months of practice, the white belt gets dirty and turns brown, symbolic of the first degree of attainment. After more practice, the belt gets soiled and eventually turns black, symbolic of full attainment.

If the practitioner does not stop learning even after full attainment, the black belt starts getting frayed, turning almost white, symbolic of return to innocence. The frayed white belt represents technical competence of an experienced martial artist, combined with the innocence and receptivity of a beginner. It signifies going beyond technique and embracing no-technique—coming full circle.

story source: white belt

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The original martial arts used only one belt as described above. But now-a-days the different colored belts are used to describe the practitioners growth.

At inner spirit martial arts, the white belt was symbolic of the crane. Where speed was developed and patience acquired. A crane can only survive a tiger’s attack with evasive maneuvers.

Through much practice, exercise and persistence one attained an orange belt. The symbol for the Tiger, strength.

Then comes the green belt. Where the student learns holds and throws. Agility, vitality, perseverance.

here is where many schools differ, some will have blue belts (water), purple belts (air)  and other colors before the brown belt. Many will go from brown to black as is many customary practices. At Inner Spirit Martial Arts the brown belt symbolized: Earth, well grounded, growth, deeply rooted and solid.

Ad image

as shone here…

Red belt symbolized… the dragon, full of fire, energy and the stage where one readies them self for black belt testing.

To attain the black belt one must demonstrate their abilities in their style of martial arts. One of the key elements is teaching, for a black belts primary task will be to teach others… coming full circle.

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I thought about this when I went to work the other day and I was asked to mentor a new officer. To teach them the ways of our profession. I realized I had come full circle in my employment. No matter what you do in life, when you have reached a certain point in your life, you will end up teaching others. Rather it be a profession or a grandparent. So, teach them well…

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may you pass your wisdom on to another this day

(~_~)

When the nun Chiyono studied Zen under Bukko of Engaku she was unable to attain the fruits of meditation for a long time.

At last one moonlit night she was carrying water in an old pail bound with bamboo. The bamboo broke and the bottom fell out of the pail, and at that moment Chiyono was set free!

In commemoration, she wrote a poem:

In this way and that I tried to save the old pail
Since the bamboo strip was weakening and about to break
Until at last the bottom fell out.
No more water in the pail!
No more moon in the water!

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When Eshun, the Zen nun, was past sixty and about to leave this world, she asked some monks to pile up wood in the yard.

Seating herself firmly in the center of the funeral pyre, she had it set fire around the edges.

“O nun!” shouted one monk, “is it hot in there?”

“Such a matter would concern only a stupid person like yourself,” answered Eshun. The flames arose, and she passed away.

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Gisho was ordained as a nun when she was ten years old. She received training just as the little boys did. When she reached the age of sixteen she traveled from one Zen master to another, studying with them all.

She remained three years with Unzan, six years with Gukei, but was unable to obtained a clear vision. At last she went to the master Inzan.

Inzan showed her no distinction at all on account of her sex. He scolded her like a thunderstorm. He cuffed her to awaken her inner nature.

Gisho remained with Inzan thirteen years, and then she found that which she was seeking!

In her honor, Inzan wrote a poem:

This nun studied thirteen years under my guidance.
In the evening she considered the deepest koans,
In the morning she was wrapped in other koans.
The Chinese nun Tetsuma surpassed all before her,
And since Mujaku none has been so genuine as this Gisho!
Yet there are many more gates for her to pass through.
She should receive still more blows from my iron fist.

After Gisho was enlightened she went to the province of Banshu, started her own Zen temple, and taught two hundred other nuns until she passed away one year in the month of August.

http://spiritualinquiry.com/zen-stories/

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have a zen-sational day

(~_~)

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A Thousand Words

Last night, the wife, my little 9 year old daughter and I watched the movie, “A Thousand Words.” I was taken by the movie’s ‘zen’ appeal and of course ‘Eddie Murphy’s’ comic charm. Even my lil girl laughed and loved the movie that was charming and filled with a wonderful message of, “the power of words.”

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After stretching the truth on a deal with a spiritual guru, literary agent Jack McCall finds a Bodhi tree on his property. Its appearance holds a valuable lesson on the consequences of every word we speak.

Eddie Murphy is Jack McCall, a fast-talking literary agent, who can close any deal, any time, any way. He has set his sights on New Age guru Dr. Sinja (Cliff Curtis) for his own selfish purposes.

But Dr. Sinja is on to him, and Jack’s life comes unglued after a magical Bodhi tree mysteriously appears in his backyard. With every word Jack speaks, a leaf falls from the tree and he realizes that when the last leaf falls, both he and the tree are toast. Words have never failed Jack McCall, but now he’s got to stop talking … or he’s a goner.

A Thousand Words

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Words are a powerful tool, but not just the words but the passion and emotions that we use with them matter as much as what we say. As in the story with Buddha and the lake, where a married couple scream at each other because their hearts have become distant, even though they stand next to each other. When their love was new and fresh, their hearts were so close that they did not need words, the heart knew what the other was feeling.

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I see this movie in so many others, you can’t take a hammer and pound zen into them. No matter how many stories, parables or quotes you throw at them, they just don’t get it. Like watching a dog chase it’s own tail, never going anywhere spiritually in life, just existing. In this movie, Eddie Murphy has to go through a harsh trial to understand, passion, a better way of living and of course the power of words. Needless to say, I recommend to all, watch this movie.

 words are tied to emotions like a tree’s root reaching into the earth.

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choose your words wisely

(~_~)

The Emperor asked Master Gudo,

“What happens to a man of enlightenment after death?”

“How should I know?” replied Gudo.

“Because you are a master,” answered the Emperor.

“Yes sir,” said Gudo, “but not a dead one.”

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The master walked with his disciples. He taught using questions full of content, riddles that kept within a whole wisdom of life. And he always surprised his disciples with his wise teachings.

On certain occasion, while dusking, he asked his disciples if they knew how to tell when the night ended and the day started.

The first of them said: “When you see an animal at the distance and you can distinguish if it is a cow or a horse.”

“No,” said the master.

“When you see a tree at the distance and you can distinguish if it is a pine or an eucalyptus.”

“Not either,” said the master.

“OK,” said the disciples, “tell us, when is it?”

“When you look at a man in the face and recognize in him your brother; when you look at the face of a woman and recognize in her your sister. If you’re not able to do this, then, be whatever hour it be, still it’s night for you.”

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The master Bankei’s talks were attended not only by Zen students but by persons of all ranks and sects. He never quoted sutras nor indulged in scholastic dissertations. Instead, his words were spoken directly from his heart to the hearts of his listeners.

His large audiences angered a priest of the Nichiren sect because the adherents had left to hear about Zen. The self-centered Nichiren priest came to the temple, determined to debate with Bankei.

“Hey, Zen teacher!” he called out. “Wait a minute. Whoever respects you will obey what you say, but a man like myself does not respect you. Can you make me obey you?”

“Come up beside me and I will show you,” said Bankei.

Proudly the priest pushed his way through the crowd to the teacher.

Bankei smiled. “Come over to my left side.”

The priest obeyed.

“No,” said Bankei, “we may talk better if you are on the right side. Step over here.”

The priest proudly stepped over to the right

“You see,” observed Bankei, “you are obeying me and I think you are a very gentle person. Now sit down and listen.”

“If nothing exists,” inquired Dokuon, “where did this anger come from?”

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

may your bowl be filled with zen this day

(~_~)

HISTORY OF BONSAI

The history of bonsai (pronounced bon-sigh) is cloaked in the mist of the past but it is now widely accepted that it was the Chinese who first created the miniature landscapes and trees that we now know as bonsai. In Japanese, bonsai can be literally translated as “tray planting”, but since originating in Asia so many centuries ago – it has developed into a whole new form. Called penjing by the Chinese, bonsai was believed to have had its start in the Han Dynasty. In this essay I will discuss some of the legends and facts surrounding the beginning of bonsai.

One of the earliest Chinese legends contends that it was in the Han Dynasty (206 B.C. – 220 A.D.) that an emperor created a landscape in his courtyard complete with hills, valleys, rivers, lakes and trees that represented his entire empire. He created the landscape so that he could gaze upon his entire empire from his palace window. This landscape form of art was also his alone to posess. It was said that anyone else found in possession of even a miniature landscape was seen as a threat to his empire and put to death.

Another Chinese legend relating to the beginnings of bonsai points to a fourth century A.D. Chinese poet and civil servant named Guen-ming. It’s believed that after his retirement he began growing chrysanthemums in pots. Some historians believe this was a step towards the beginning of bonsai in the Tang dynasty some 200 years later.

The earliest documented proof of bonsai was discovered in 1972 in the tomb of Prince Zhang Huai, of the Tang Dynasty (618 – 907 A.D.) who died in 706 A.D. Two wall paintings discovered in the tomb show servants carrying plants resemblingbonsai. In one of the paintings a servant is seen carrying a miniature landscape and in the other painting a servant is shown carrying a pot containing a tree.

Even though it’s the Japanese who get most of the credit for bonsai, it wasn’t until the Heian period (794 – 1191A.D.) that Buddhist monks brought bonsai to the island. For many years following the arrival of bonsai, the art was practiced by only the wealthy and thus came to be known as a nobleman privilege. The fact that the art of bonsai was limited to the noble class almost caused the art to die out in Japan. It was with the Chinese invasion of Japan in the fourteenth century that the art of bonsai started to be practiced by people of all classes. Once the art was practiced by all classes, bonsai began to grow in popularity in Japan. The Chinese influence on the early bonsai masters is apparent since the Japanese still use the same characters to represent bonsai as the Chinese. After the establishment of bonsai in Japan, the Japanese went to great lengths to refine the art and a lot of credit must go to these early bonsai masters. The refinements that they developed has made bonsai what it is today.

The earliest bonsai to come to the west came mostly from Japan and China. The showing of bonsai at the Third Universal Exhibition in Paris in 1878 and later exhibitions in 1889 and 1900 increased western interest in bonsai and opened the door for the first major bonsai exhibit held in London in 1909. In these early years many westerners felt that the trees looked tortured and many openly voiced their displeasure in the way the trees were being treated by bonsai masters. It wasn’t until 1935 that opinions changed and bonsai was finally classified as an art in the west.

With the end of World War II, bonsai started to gain in popularity in the west. It was the soldiers returning from Japan with bonsai in tow that sparked western interest in the art, even though most of the trees brought home by these soldiers died a short time after their arrival. They survived long enough to create a desire in westerners to learn more about the proper care of their bonsai. The large Japanese-American population was invaluable to Americans in this respect. Their knowledge of the art of bonsai was of great interest ot many Americans learning the art.

Today, bonsai are sold in department stores, garden centers, nurseries, and many other places. However, most of these are young cuttings or starts and not the true bonsai produced by bonsai masters. Most trees purchased today are known as pre-bonsai and are for the most part only used as a starting point. To create a true bonsai work of art you need to learn as much as possible about the art and the trees you use. Information is your key to success and it is important to read as much as possible. It is also a good idea to join a local bonsai club so you are able to discuss the subject with experienced bonsai enthusiasts. As your knowledge and confidence grow, creating your own bonsai works of art will become easier and your enjoyment of bonsai will grow.

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bonsai of thorns

by Art~

the midget cactus stood there
next to the train tracks
under blistered sun
drowning in the drought
shriveled up like raisins
as if waiting for a ride

she just turned, and was eight
set to save it’s life
to be the hero
with pink sparkling dress
taking stellar cellular photos
barking demands was her super power

I, the parent
plucked and planted the cactus
according to her whimpers
in an elephant ear pot
spreading multi-colored pebbles like frosting
adding faucet rain drops

magnify glass, tweezers and lamp
surgically removing miniature thorns
from callused grown up fingers
measuring no regrets
in exchange for adolescent smiles
pondering lessons learned

passing by, a green fly swatter
in hand makes a Jedi’s sword
daring to save the planet
killing flies one smack at a time
running into the black cat
passing by, a bonsai of thorns

 

we hold the world in our hands

(~_~)

The Historic 36th chamber and 18 wooden warriors of Lohan Hall in a southern province, Shaolin Temple, is shrouded in some mystery, for they were destroyed in the early 1700’s. In the movie, Kung Fu, with David Carradine the last part of this test was depicted with the 500 pound urn filled with red hot coals that burn the mark of the Dragon and the Tiger into the fore-arms as the urn is moved in order to pass and graduate.

It is said that many students did not survive the hall of wooden warriors and this in turn caused a lot of students to run away. But those that did pass the test, bore the symbol on the fore-arm and became teachers themself. Below is a description of each of the 18 wooden warriors and what you had to do to pass each one.

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The Fukien or southern Siu Lam (Shaolin) temple was built on Gau Lin Shan in Fukien province near the border of Gwan Dung Province. Built in 1399 a.d. during the Ming dynasty, the temple became known as “South Siu Lam/ Shaolin” before being utterly destroyed during the Qing (1644-1911 a.d.) dynasty.

The abbot Jee Sim Sim See (Sim See means Zen master) put Hung Yan Sim See in charge of thirty six chambers. Here, Siu Lam’s (Shaolin) warrior monks and unshaven disciples learned the Siu Lam (Shaolin) martial arts in a step by step manner, not advancing until each skill had been mastered. An “unshaven disciple” was a person who stayed at the temple primarily to study the martial arts and did not take Buddhist vows and become a monk. Jee Sim is also credited with devising the “wooden dummy hall”. (Lohan Hall)

The wooden dummy hall was erected in the Lohan Tung or Buddha hall. The eighteen wooden dummies purpose was to test the kung fu skill of potential graduates. The dummies names and movements were as follows:

01 – Lohan Or Ga Yit:
When the student entered, this dummy was in a seated position holding a monk’s ornamental staff. As the student approached, the dummy swung the weapon toward the middle of the student’s body. If the student retreated, the dummy would close, swinging the weapon faster and faster until the rear wall was reached. The student in this case would have to either duck or jump over the weapon which would shatter the student’s bones if it connected. If the student avoided the blow, he was expected to kick the dummy over, defeating it. All of these dummies were activated by the pressure of the students weight on the floor. Also, defeating all the dummies was achieved similarly by knocking them over.

02 – Lohan Or Lan Tor:
The dummy is seated with its hands together as if in prayer. The student is alternately punched and kicked by this dummy. The blows must not be directly blocked because contact with the dummy would result in broken bones. The student must avoid the blows and knock the dummy over.

03 – Lohan Mook Jit Lin:
One foot of the dummy is on top of a lion with the other standing on the floor. This dummy tries to use a low sweeping kick to hit the student. Once it starts, the move is repeated, faster and faster while rushing toward the student. The correct response is to use a jumping kick to floor the dummy while avoiding the sweep at the same time.

04 – Lohan Seh Lei Fut
This dummy stands holding a staff in the right hand and holding its left hand at the breast. It uses the staff to block the student ‘s path and attacks with the free hand. The student must lock the arm and sweep the dummy to down it.

05 – Lohan Ah Lah Luet:
This dummy stands holding a begging bowl. It tires to slam the bowl on the student’s head. If the bowl land precisely, the student will be unable to easily removie it. Avoiding the initial attack is the most essential element in defeating the dummy.

06 – Lohan Seui Pou Tai:
This dummy stands holding prayer beads. When approached, the dummy tries to hit the student in the abdomen. Suddenly, the beads are swung towards the student’s head. The second blow was designed to catch the student unaware as he was trying to stop the first blow.

07 – Lohan Fu Lao La:
The dummy stands with a wine cup in its left hand. The dummy strikes with one hand using drunken style and then throws the cup at the student. The student must avoid these movements and immediately counter.

08 – Lohan Ga Jim Ting:
As it is approached, the dummy stands erect. If the student comes close, the dummy uses a low kick against the student. The dummy must be kicked down before it can continue its attack which becomes faster & faster.

09 – Lohan Fuk Law Lei:
The dummy stands in a bow and arrow stance facing the student. When the student comes into range, the dummy attacks with repeated thrust punches to the body. The student must sidestep to kick the dummy over.

10 – Lohan Dat Mo:
The dummy is seated sideways holding a book. If the student tries to pass, the dummy throws a sidekick as the student goes by. If he can avoid the kick, the student must fell the dummy from behind.

11 – Lohan Chung Haw:
The dummy stands holding a head sized temple bell. As the student approaches, the bell is thrown. The student must avoid the bell.

12 – Lohan Jang Chan
The dummy sits facing the student holding a book next to a pile of stones. The student is shot with projectiles that shoot out of the head of the dummy. The difficulty is in trying to close in on the dummy while it shoots these projectiles.

13 – Lohan Dou Shuen:
The dummy is holding a staff, but is making awkward, stupid looking movements. This is an attempt to lure the student into thinking that the dummy is not functioning properly. The student is attacked as soon as he attempts to go by. The student is expected to be able to avoid such surprise attacks.

14 – Lohan Yan Lang:
The dummy stands looking at the ground. When the student stands on the proper part of the floor, the dummy will thrust its fingers towards the student’s eyes. Students failing this test did not graduate for obvious reasons.

15 – Lohan Hung Lung Sau:
This dummy holds a shiny begging bowl. Suddenly, the student has a blinding light in his face. As soon as this happens, the dummy throws a barrage of blows. The key point is not to get blinded by the light reflected from the bowl. If the student is not blinded, the dummy may be kicked over relatively easily.

16 – Fuk Fu Lohan:
The dummy stands on one foot on the back of a tiger. In one of it’s hands is a large ring. The dummy tries to put the ring over the student’s head while kicking him from below. The student must avoid the ring in order to not get kicked in the groin.

17 – Lohan La Gum Luet:
The dummy stands holding a monk’s spade. The dummy charges while spinning the spade in a figure eight pattern. The student who had stopped was considered eligible for graduation.

18 – The final step
The door to the hallway leading out of the Lohan La Gum Luet was blocked by a one hundred fifty pound urn containing hot coals with the mark of the tiger head/dragon body on the handles. The student had to hug the urn with their forearms. This branded him with the mark of a Sui Lam master. The highest experts had marks only on one arm, having used one arm to lift the urn.

Many great teachers were trained at this temple. After the end of the Ming dynasty, the Ming loyalists used this temple as the headquarters in Southern China. Eventually, the Qing Emperor Hong Hei (1662-1723 a.d.) found this out and ordered two generals Chan Man Yiu and Jeung Gim chao to take three thousand soldiers and rout the temple. General Chan Man Yiu knew well the reputation of the Siu Lam people had earned for their martial arts.

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The Temple was burned to the ground, every monk; except five were killed. These five survivors seperated and each kept the Art alive. They were Wu Dak Dai, Choy Dak Jung, Lei Sik Hoi, Fong Dai Hung, and Ma Chiu Hing.

Many movies have been made where the wooden warriors theme was dipicted, such as “The 36th Chamber,” “Kung Fu,”  and lots more in the Asian film industry.

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source:  Kung Fu Fever, Shaolin 18 wooden men                                             Header Picture: Gaiaonline.com                                                                               Lower Pic; Shaolin Warriors                                                                                           Two wooden warriors with Shaolin monk; KingFilms.TV  

  Tiger and Dragon picture        Shaolin with sword                                              Monk meditates on one leg                                                                           

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~Life is a training ground for the tests that will come~

(~_~)

Charles Plumb was a navy jet pilot. On his seventy-sixth combat mission, he was shot down and parachuted into enemy territory. He was captured and spent six years in prison. He survived and now lectures on the lessons he learned from his experiences.

One day, a man approached Plumb and his wife in a restaurant, and said, “Are you Plumb the navy pilot?”

“Yes, how did you know?” asked Plumb.

“I packed your parachute,” the man replied.

Plumb was amazed – and grateful: “If the chute you packed hadn’t worked I wouldn’t be here today…”

Plumb refers to this in his lectures: his realisation that the anonymous sailors who packed the parachutes held the pilots’ lives in their hands, and yet the pilots never gave these sailors a second thought; never even said hello, let alone said thanks.

Now Plumb asks his audiences, “Who packs your parachutes? ….. Who helps you through your life?…. Physically, mentally, emotionally, spiritually?……. Think about who helps you; recognise them and say thanks.”

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The story goes: upon completing a highly dangerous tightrope walk over Niagara Falls in appalling wind and rain, ‘The Great Zumbrati’ was met by an enthusiastic supporter, who urged him to make a return trip, this time pushing a wheelbarrow, which the spectator had thoughtfully brought along.

The Great Zumbrati was reluctant, given the terrible conditions, but the supporter pressed him, “You can do it – I know you can,” he urged.

“You really believe I can do it?” asked Zumbrati.

“Yes – definitely – you can do it.” the supporter gushed.

“Okay,” said Zumbrati, “Get in the wheelbarrow…”

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I saw this on “Transformers 3” and thought how cool, they are as close to flying like a bird as you’ll ever get.

 

 

 

 

 

 

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The Queen made a memorable entrance at the Olympics (!_!)

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may your parachute always open and the ground greet you softly~

(~_~)

Introducing, …Kung Chew, a creation from my mind, a drawing that turned into a full blown character as the kids helped me to create his adventures. In 2007 he was all over our living room in different comic strips and in 2010 he came alive in a blender / computer graphics movie we all took delight in using our voices for the characters. The movie,…”Kung Chew and the Zen Gum ball

 

(click to enlarge)

Kung Chew and Master Bubble make a pilgrimage to obtain a Zen Gumball. On the trail they are attacked by the ABC gang (already been chewed) and get out of this by blowing a huge bubble and as it pops they disappear, with-out hurting anyone!

When they arrive in town, Kung Chew meets up with his girl friend, Chic as Master Bubble goes on to obtain the Zen Gumball. The Gumball machine is in POP’s candy store. Master Bubble places the quarter in, turns the knob and out comes a Gumball with words of wisdom stamped on it. (like a fortune cookie) Master Bubble saves the gumballs for emergencies and to spread the wise words for others to chew on mentally.

The opening has always been the same in the cartoon and the movie…However his adventures are still only begining.

 

(click to enlarge)

 

Deep in the forest of rubber trees and chic. (Chic is the tree for which Gum is made.

Kung Chew works hard, mastering his Art, wriggling through excercises.

He imagines himself dueling an army, defeating them single handedly, one by one, blow by blow.

When out of no-where a bee lands on his arm. Kung Chew became riddled with fear and ran as fast as he could …away!

Master Bubble was meditating nearby, watching with one eye open as Kung Chew and the Bee went flying by. He had a bewildered look on his face.

    

The Bee came and landed on Master Bubble’s leg…………..Kung Chew crept up with a big stick then swung to hit the Bee.

“Smack,” Master Bubble reached up and stopped Kung Chew from hitting the bee.

“You train to defend yourself against multiple attackers, yet you run like a rabbit from a one inch insect?”

“Perhaps the Bee was attracted to your sweetness and wanted to bite you rather than sting you.”

Kung Chew stood silent for a moment, with a bubble-dumb look upon his face, pondering Master Bubble’s words.

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I think the unique thing about this is that it grew from the family, ideas from my wife, the kids. The Movie has alot to it…I think it ended up being a little longer than 15 minutes, with music like… “I want candy!” and of course in the end they all play instruments and sing this song with dance and a great guitar scene.

Now when I say great remember, I am not a computer graphic guru, it was my first attempt and I learned alot about doing such a project. It took a year to make, with dubbing out voices and getting the mouths to match sound. In one scene, when Master Bubble turns around fast, he comes all apart and goes back together in the flash of an eye, the physics was to much for him, I tell the kids, but the wife knows, the physics was to much for me. (giggle)

Blender was not that easy to learn. (It is a free game making software that allows creation of graphics and has a movie mode) I spun off after kung chew and tried to make a movie called, “Thirteen Dragons,” (about the thirteen Shaolin fighting monks.) But that is when it got frustrating and I gave up on being a computer graphic designer since it takes so long for one person. When I watch a CP movie like pixel or ‘Kung Fu Panda’ I notice they have about 50 plus people to create a movie and that wouldn’t make it easier but probably a lot faster than a 15 minute clip taking an year to make.

I have now decided to try and make a childrens book with this charactor. Every one who comes to the house gets to see the movie and say’s it is a grand idea, do something with it. So, I am still churning out paper after paper with this little guy and his adventures, entangled with wisdom quotes, humor and traditional martial arts ethics and a message in every tale. I have placed Kung Chew into the Zendictive story of “Carrying your Burdens” and “House of a thousand mirrors.” Now, that I am down this week,  and can’t do much out of bed, I have picked up the pen again. When the body is down the mind still ticks. “You can’t keep a good man down!”…………so, what do you think???

As soon as I can figure out how, I will place clips of the movie on the blog, (remember, I’m still learning how to work with all this media stuff!) In fact I still can’t figure out how to burn it on a CD or DVD to get it off this computer!

(~_~)

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enjoy your day

(~_~)

A Zen master had been put into jail several times…. Now, it is one thing to forgive a thief, it is one thing not to think that he is bad, it is another thing to go to jail oneself. And not once, many times – for stealing small things from his neighbors. And the neighbors knew, and they were puzzled: Why does this man steal? and such small things. But the moment he would be out of prison he would steal again, and he would go back. Even the judges were worried. But they had to send him to jail, because he would confess.

He would never say, ’I have not stolen.’

Finally the neighbors gathered together, and they said, ’Sir, don’t steal any more. You are getting old, and we are ready to provide you with all that you need – all your necessities, whatsoever it is. You stop this! We are very much worried, and we are very sad. Why do you go on doing this?

And the old man laughed. And he said, ’I steal in order to get in with the prisoners, and bring them the inner message. Who will help them? Outside, for you prisoners, there are many masters. But inside the jail there is no master. Who will help them, you tell me?

This is my way to get in and help those people. So when my punishment is over and I am thrown out, I have to steal something and go back again. I am going to continue this. And I have found there in jail such beautiful souls, such innocent souls – sometimes far MORE innocent….’

Once it happened, one of my friends became a governor of a state in India, and he allowed me to go into jails all over his state. And I went for years, and I was surprised. The people who are in jails are far more innocent than the politicians in New Delhi, than the rich people, than the so-called saints. I know almost all the saints of this country.

They are more cunning. I have found in the criminals such innocent souls…. I can understand this old Zen master’s idea – of stealing, of getting caught, and bringing the message to them. ’I steal in order to get in with the prisoners and bring them the inner message.’

Source: ” Zen: The Path of Paradox, Vol 2 ” – Osho

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 The Tiger above was made in the craft shop at the penitentiary where I work and I purchased it, had it made into a jewelry box for my wife for Christmas last year. There are some very talented individuals incarcerated in prisons throughout the nation, where as their crimes are unspeakable. When I look into a room full of inmates who are sitting, being quiet and relaxed, I remember this picture and know they are a room full of tigers sitting lazily.

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How much Zen would a Zen master master
if Zen master could master all the Zen?
A Zen master would master all the Zen he could master
if a Zen master should master all the Zen

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we are all prisoners of our own restraints, that is why only a few soar!

(~_~)

Art~

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Art~

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